By Dylan A. T. Miner
Using the concept that lowriding is an Indigenous manner of being on the planet, artist and historian Dylan A. T. Miner discusses the a number of roles that Aztlán has performed at a variety of moments in time, from the pre-Cuauhtemoc codices via either Spanish and American colonial regimes, prior the Chicano circulation and into the current day. throughout this “migration story,” Miner demanding situations notions of mestizaje and asserts Aztlán, as visualized via Xicano artists, as a kind of Indigenous sovereignty.
Throughout this ebook, Miner employs Indigenous and local American methodologies to teach that Chicano paintings has to be understood within the context of Indigenous heritage, anticolonial fight, and local American reports. Miner can pay specific recognition to paintings open air the U.S. Southwest and contains discussions of labor by way of Nora Chapa Mendoza, Gilbert "Magú" Luján, Santa Barraza, Malaquías Montoya, Carlos Cortéz Koyokuikatl, Favianna Rodríguez, and Dignidad Rebelde, such as Melanie Cervantes and Jesús Barraza.
With 16 pages of colour photographs, this publication may be the most important to these drawn to paintings background, anthropology, philosophy, and Chicano and local American reports. Creating Aztlán interrogates the old and demanding function that Aztlán performs in Chicano and Indigenous paintings and culture.
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Additional resources for Creating Aztlán: Chicano Art, Indigenous Sovereignty, and Lowriding Across Turtle Island (First Peoples: New Directions in Indigenous Studies)
Creating Aztlán: Chicano Art, Indigenous Sovereignty, and Lowriding Across Turtle Island (First Peoples: New Directions in Indigenous Studies) by Dylan A. T. Miner