By Lee Marshall
'Bootlegging is a brilliant, provocative and hugely readable research of the excessive idea and coffee practices of song copyright and its transgressors. it's so much fresh to learn a sociological research of a subject matter often left to attorneys and apologists. an important e-book for someone who desires to comprehend the modern track industry'
Simon Frith - Professor of movie and Media stories, college of Stirling.
Bootlegs - reside live performance recordings or studio outtakes reproduced with no the permission of the rights holder - carry a well known place within the pantheon of renowned song. also they are a lot misrepresented and this attention-grabbing publication constitutes the 1st complete size educational therapy of the subject.
By analyzing the centrality of Romantic authorship to either copyright and the tune undefined, the writer highlights the mutual dependence of capitalism and Romanticism, which situates the person because the key inventive strength whereas not easy the commodification of paintings and self.
Marshall finds how the need for bootlegs is pushed through an identical beliefs of authenticity hired via the valid in its copyright rhetoric and perform and demonstrates how bootlegs exist as an adversarial yet worthwhile part of an that does a lot to avoid them.
This booklet should be of serious curiosity to researchers and scholars within the sociology of tradition, social conception, cultural reviews and law.
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Extra resources for Bootlegging: Romanticism and Copyright in the Music Industry (Published in association with Theory, Culture & Society)
Bootlegging: Romanticism and Copyright in the Music Industry (Published in association with Theory, Culture & Society) by Lee Marshall